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My attempt at Midnight Gospel - Focal Point

It's so hard for me to write sometimes because nothing is absolutely true

And a lot of times our sentences speak in absolutes and if they don't, they come off weak or end up saying something else

If I write that I'm sad, I immediately think to myself that I'm not all sad

And saying "I'm sad" to a reader could be read by them as:

"I'm a sad person" or "I'm a disappointing person" or even that I am in a far-more-simple-than-reality-permits state of sad

So it's really a lot easier for me to write in metaphor

Not only for myself, because if I really nail something down with just the right metaphor

Even though it can seem more ambiguous

it's so much closer to truth or maybe "accuracy"

That's on the sending end

And then on the receiving end it's easier for me to comprehend because that kind of abstract quality

that messiness of a metaphor, because it's broadcasting lots of symbols and emotions and memories to draw from

I'm not as worried about how the reader is interpreting it because I can more readily acknowledge

not only that it might be distorted the same way art is but even that the way it's distorted

because with art we kind of enter into it knowing that we are affecting what is observed by observing it

the way it's distorted feels more honest

Like that distortion is actually a part of what I am saying

And it's funny to me when I think about it

because a metaphor feels broad

and saying something plainly feels specific

But really if I just say "I'm sad" then all I have given is a single point

and not just a normal single point, but this extremely familiar, over-traveled point that we have so many associations with

It's like giving someone directions and telling them to turn at "the building"

They are gonna be so lost in their own interpretation of that thing

In the messiness of that non-specificity that, in I guess a more "reasonable" way, we associate with being accurate

They are gonna be so lost in that there is no way they can connect with me at all

Not in the real way I would want them to

They might be able to connect in that very popular way we do now 

where we both are looking at something from our own perspectives and we say "I see this" and "I see this too"

and think of that as some kind of connection

And I think on a more base level it is

But I don't think it's what we need and it is far less than what I want in writing

I want to write in such a way where it's not just "I see this" but

I see this how you are seeing it

or even

I see you in this

Where the object isn't the focal point really

but it is the medium

the mode of communication through which we are actually seeing one another

Because on the one hand we are alone together and on the other we are together alone

and while that can seem like some rhetorical bullshit I think those small distinctions of seeing the same thing versus seeing the same way are profoundly different

Friday Post Card #1

My Three Wet Things